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Let's talk about PAN paperbacks – the blog for

PAN Fans - Let's talk about PAN paperbacks – the blog for

More Julian May Covers from Stephen Bradbury + Others

ReflectionsIn the book “Reflections: The Art Of Stephen Bradbury” published by Paper Tiger in 1996 can be found the original artwork for the covers for “The Saga of the Exiles” series where Stephen tells of his meeting with Gary Day-Ellison and how lucky he was to get the commission as it was Friday and “Gary didn’t see anybody on a Friday” His obvious disappointment softened the secretary’s heart, he had five minutes to show his portfolio anf the rest is history as they say. After the “Exiles” covers he went on to do the four covers in the “Galactic Milieu” series, namely “Intervention”, “Jack the Bodiless”, “Diamond Mask” and “Magnificat” The eight covers are linked in that the angel in “Magnificat” metamorphoses back into the skull on the cover of “The Many Coloured Land”
CoverCycleI have now added several more covers of various dates to my original Julian May PAN Books page including some of the American titles Stephen mentioned saying “If you see the American covers for the same series, they are a bit cringeworthy” Dare I say I quite like some of them especially “Adversary” from 1983. It is also interesting to see the later PAN editions from 1994 onwards where the artwork is spoilt by being squashed to fit a format for which they were not intended.

“The Time Machine” plus updates

Man‘The Time Machine’ by Herbert George Wells was written 120 years ago in 1895 and has never been out of print. I don’t know how many covers and variations PAN printed but I’ve put seven examples I’ve got HERE The 1953 cover is by George Woodman about whom, like a lot of the artists from the time, very little has been recorded. The 1974 cover is by Ian Miller and the 1976 by Alan Lee of which a lot has been written about them both.

Here are a some recent updates for a few pages;

Rowan Barnes-Murphy was mentioned in a blog regarding the Breakthrough language series and since then I have tracked down and scanned in another four of his covers and one where he did the illustrations to .

I found  another cover for ‘The Scapegoat’ from the Daphne du Maurier series, ordered it and yet again it is not the one shown so I’ve used the sellers photo while I try and track down the one I actually wanted. I’ve also included a photo of an item I found on eBay, a book and letter signed by du Maurier. I place a bid but in the end it went for £137, well over my limit.

I’ve added a couple more covers to the ‘Piccolo Adventure Library’ with artwork by author and artist Tom Barling. These are both signed ‘T.B.78:’

Finally after many years I’ve found copies of  book 1 and  3 to go with 2 and 4 of the “Fun With Words” series  I already had. It is one of those mysterious occurrences when I can’t  find any for years and then both the ones I need come along at the same time – and at a price I’m willing to pay. Someone is asking £35 for book 4!


Julian May “Saga of the Exiles” Stephen Bradbury Covers

Between 1982 and 1984 PAN printed the four titles in the Julian May “Saga of the Exiles series namely “The Many Coloured Land”, “The Golden Torc”, The Non-Born King” and “The Adversary”. They all had covers in a similar style by the artist Stephen Bradbury. If you put the covers side by side you’ll find that the images do not quite join together whereas on the outside of the 1983 (first 3 titles) and 1984 (all 4 titles) boxed sets they do which prompted me to contact Stephen Bradbury and he kindly replied and said

Stephen BradburyHi Tim, Thanks for your email.
The answer to your question is, the artworks were painted separately over a period of years. Gary (Day-Ellison) and I basically decided to keep the central horizon about the same level with each painting. We knew it was going to be a series, so we developed a ‘series look’ to the jackets from day one. The overall use of slightly different blue colours was a conscious thing. The success of the series blew us away, so I think by book 3, “The Non-Born King”, the marketing department decided to photographically merge the artworks. They were initially used this way on large billboards and giant posters, which I have copies of. The same trick was used when book 4 “The Adversary” came out. The large billboards looked quite dramatic. Each Julian May book got high in to the top ten , in the book charts. It was a great success for Gary, myself and Pan Books.

This was followed by “Intervention”, “Jack the Bodiless”, “Diamond Mask” and “Magnificat” They were a few years later, and I decided use faces of the characters in the sky. I knew the pages of the last book, “Magnificat” go right back to the beginning of “The Many Coloured Land”, so I contrived to get the artwork to do the same trick ! Overall, I tied to keep the artwork for the series quite elusive ! To draw people in, but not give anything away about the stories. It seemed to work. Intervention, is just that ! An eagle flying along , suddenly is intervened with. An intervention, unlooked for. I did this with all the covers  Quite surreal, and quite sophisticated , for the time. 

If you see the American covers for the same series, they are a bit cringeworthy. Gary and I really did create a magical format. I have the boxed set , you mentioned, and yes, they were linked by photographic means. The Many Coloured Land was my first book cover, and I will always be eternally grateful to Gary for giving me my first book  cover  and my first break in to illustration and publishing. I wouldn’t be here now, if it wasn’t for Gary.. He has great insight.

I hope that answers your question Tim. Use my email address to contact me.

Keep in touch


I greatly admire Stephen’s work and will be adding more covers in the next few weeks. From reading reviews the books were very well received but from the excellent condition of both of my boxed sets these books appear to have never been removed!

Breakthrough Language Series and Rowan Barnes-Murphy

Following on from the blog referring to the PAN “Spotlight on Languages” series they also carried on the “Breakthrough Languages” series first published by Macmillan, then taken over by PAN and eventually going back to Macmillan. They were sold as a package containing a book and originally cassettes, later replaced with CD’s and the page shows two covers for some of the languages, I’m still trying to find the missing few, and I’m just guessing that the covers by Rowan Barnes-Murphy are later as the contents are identical.

If the name Rowan Barnes-Murphy sound familiar it’s because he did several covers for Piccolo and is still extremely active today as can be seen on his website 

Dear Tim, PortraitMy apologies for not getting back to you sooner and would have been very happy to have met you on your last visit to this area but I recall things were very hectic at the time ….renovating a small cottage whilst living in it and working at the same time. Very demanding. I’ll have a look around and see what books I’ve got.  I usually keep copies of everything I’ve done. I’ll get some scans over to you.  This will take a little while as I’m again very occupied with work at present. I met Val Biro and his wonderful car at a school once where he was story telling and I was the ‘drawer’. He was charming and great company for the day.
Love your website by the way!
I’ll be in touch.
Best wishes

I’m trying to track down a couple of the covers Rowan mentioned that I’ve not seen but here are the six covers he did for “The Cryptic Library”

A bit more from George and getting paid twice?

Following on from my reference to how the painting for “Testament” by George Sharp was turned upside down I also found the same image used by Chatto and Windus for their hardback edition. The gun is again shown in yet another position to the original and George tells me he didn’t get paid for this edition! “First Blood” from 1973 has a cover in a very similar style but George says it is not his and I can’t find a name as yet.

I often wonder if it was the case with other covers that artists didn’t get paid twice especially ones like the Shute series from 1974 by Roger Coleman when they were used in the USA by Ballantine with whom PAN, I think, had a link through Ian and Betty Ballantine (Ian Ballantine was connected with Penguin in the late 40’s but there was a falling out)BiroAnother series where the same covers appeared on the UK and USA editions are titles by Jean Plaidy used by PAN in the 60/70’s and by Putnams in the 70’s. I’ve put a few HERE. I can find no reference to a cover artist for PAN editions so I bought the hardback Putnam edition of ‘Murder Most Royal’ as US publisher usually credit the artist but unfortunately not in this case. Does anyone know who he/she/they might be? The shield above appears on the title page of the PAN Plaidy “Stuart Series” and is by the late PAN cover stalwart Val Biro.

The PAN Book of Card Games by Hubert Phillips

A while ago I was tempted by an item on eBay namely a copy of “The PAN Book of Card Games” from 1960 which appeared to be hollowed out to give a secret compartment. I was wondering if this was an amateur job but quite the reverse. The seller told me her husband was a sales rep for PAN in the 50/60’s and he gave these away as a novelty including two packs of cards. Unfortunately mine didn’t so I’m showing it with a couple of packs of a later date but if anyone does have a contemporary set then I’d love to hear from you. I did wonder if the cards were the ones shown on the back cover of the book but on trying my packs found they were too big. These cards were printed by the Thomas de la Rue printing company in 1957 for their 125th anniversary and the First International Playing Card Week. The designs are by the French tapestry designer Jean Picart le Doux. I see someone is asking $1200 for a couple of packs on so I’d better take more care of mine! I’m hoping to met up with the rep in Chepstow later in the year as he says he has some PAN related photos from his time working for them but he wants to remain anonymous.

The artwork for the book is by Glenn Steward who began working as a book cover artist in 1957 and worked for several firms including Digit Books (1957) and Panther (1958) and then PAN Books producing nearly 150 covers in six years although he continued to work for Pan until at least 1968. According to Simon Marsh-Devine he was still working in 1994 but I can find nothing after this time. As usual if anyone can add any further information I love to hear from you.

I’ve also added another screen capture to the ‘As Seen on TV’ section as the opening credits for the series “Put Your Money Where Your Mouth Is” shows one of the presenters, Philip Serrell, standing in front of a book case with at least three PANs in it. I can definitely identify two X86 “The Intruder”and X434 “YOLT” but not the sixth from the right as it is newer than the others. If you click on the picture below you should be able to see it but it’s not as clear as I would like. My guess is ‘Majipoor Chronicles’ by Robert Silverberg with the Josh Kirby cover from 1983?Put your Money 2

Daphne du Maurier

NamePAN published fourteen fiction and four non-fiction titles by Daphne du Maurier. I have added 33 different covers HERE and I am still trying to track down more images I’ve seen on sites but which were too small to use . I have included a few covers from the net although my usual rule is I have to have the cover to include it but I have ended up with so many duplicates as trying to work out dates/printings/editions etc. is very difficult plus sellers are not always as cooperative as they could be with providing scans. I hope to replace them with scans of my own as I track them down. I’m not 100% sure of the dates of some of the ones on the page so if anyone can help or put a name to the anonymous covers please let me know.

Caroline Binch

A couple of the covers are by Caroline Binch who kindly replied to my email but we think she only did the two as shown although Caroline did other titles for PAN and I’m hoping she’ll let me know what they were. Other familiar names are Gino D’Achille, Roger Coleman and George Sharp.

Russell Mills Updated Plus A Note From George Sharp

RussellHaving mentioned Russell Mills in the last blog I have now managed to track down seven of his PAN tiles and I’ve also included a few of the ones he produced for the PAN Picador imprint. Russell not only does book covers but also album and CD sleeves plus accompanying booklets and promotional material. His latest exhibition ‘Cargo in the Blood’ opens in Halifax on 22 February and runs to 19 April 2015

I was also in contact with George Sharp this week and he emailed me an interesting story concerning the cover for ‘Testament';

“I remember ‘First Blood’ vividly because I thought the book was remarkable. I depicted a moment in the writing when the rifle was being raised into the air as the protagonist – soon to become the hugely famous Rambo  emerges from a hideout in the snow. It was the “Okay let’s go get the f**kers!” moment. So I painted the image to be reproduced like this – upside down. TestamentBut it was not to be. David Larkin, the art director of Pan at the time, liked the work as being an example of how to paint giving the appearance of being very detailed without actually it being painted in a detailed way.”unnamed[2]

“Spotlight On ………..” Series

LanguageSeriesIn 1981 PAN decided to bring out a series of four books titled ‘Spotlight On ….” French, German, Italian and Spanish. The format was that they contained clippings from advertisements, newspapers, cartoons, instruction manuals, books etc. all in the language of that particular title. What makes them a little different was that, although using the same format of  representative everyday items of that country on a coffee table, all the covers are by different artists. The Creative Director at the time was Gary Day-Ellison and he contacted four graduates from the Royal College of Art in London to paint the covers which apparently had to be done in a bit of a rush.

I decided to see if the artists are still at work and managed to contact three of the four namely Russell Mills, Chloe Cheese and Cathie Felstead who all kindly replied (are you out there Gary McCarver?)

Russell painted at least six covers for PAN and I’ve tracked down five so if I can’t find the missing one I’ll put up the others next week.

Birthday Treat

As it was my birthday last Friday and a hotel chain was doing a “too good to miss” offer for the weekend we decided to be tourists in Birmingham even though it is only 10 miles away. The hotel couldn’t have been better placed, right in the city centre and we had a list of things to see with top of the list being the new Library of Birmingham, just a 10 minute walk away. On the way to visit the Sea Life Centre we watched a barge breaking the ice and which coincidently was named “Aquarius” my star sign. Then to the new library followed by a visit to the Willard Wigan amazing miniatures exhibition on the 3rd floor and we were lucky enough to meet him and shake his hand. I didn’t realise he comes from a couple of miles away from where we live. At the library I was really impressed to see that they had kept the Shakespeare Memorial Room from 1882 and rebuilt it in the rotunda on the 9th floor. We finished the day seeing the new exhibition at the museum displaying “The Staffordshire Hoard” where we stayed so long we actually got locked in! Finally had a brush with the law as met up with our daughter, a police officer, who was on duty in the city centre that evening. She looks too small to be driving a large police car but it was a brief meet as a call came in, the blue lights came on ……. and off she went.

The only real second hand book shop in the city centre Readers World (video shows shop eventually) was closed when we got there as we’d left it a bit late but as I’d been there recently I wasn’t too bothered. Back to books proper next week.