Still visiting hospital taking mother-in-law but things not quite as an ‘emergency’ as they were, now downgraded to ‘urgent’ which means I’ve been able to add a few more bits and pieces to George’s page. This is a representative selection of work he did not only for PAN but other publishers. I was really pleased to be able to meet up with him at his flat in London and I was even more pleased when he generously gave me the three pieces of original artwork shown on the page. I am having them framed at the moment and they will take pride of place on my wall along with ‘The Chequer Board’ I already had. They were not originally signed but they are now. If I was to pick a favourite it would be ‘On The Beach’ but surprisingly, and George agreed, it is better as book cover size with the colours being more vibrant and intense, probably a quirk of the printing process.
I contacted George regarding the credit anomoly on the Herriot covers and he replied “Rob McCaig assisted me on the project. It is his work only in part for we both worked on each of 11 paintings completed over a period of little more than a week in order to re-jacket the entire backlist in order to coincide with the publishing of James Herriott’s final hardback. Somebody at Pan removed my credit”