Jackie Moggridge was born Dolores Theresa Sorour; on the 1st March 1922 and died on the 7th January 2004. She was a pioneering pilot and the first woman to do a parachute jump in South Africa . Her ashes were due to be scattered from a Spitfire on the 7th April but it was postponed. It is interesting to see the same photo was used for the covers of all editions of her autobiography including PAN G238 ‘Woman Pilot’ painted by de Marco. Gerald Alexander Fahey (1919 to 1999) painted several covers for PAN but not under his real name but as de Marco. Fahey painted Sci/Fi covers in the fifties under his real name and one example is HERE I think his later covers were an improvement!

As promised here are a few ‘Pavanne’ and ‘Picador’ covers. The ‘Pavanne’ selection is from a style used around 1986 and has one which is not painted but is here as it includes my surname of which I have a small collection. The ‘Picadors’ are later but proof copies of which there seems to be an inordinate amount around. The majority of the ‘Pavanne’ covers are in ‘B’ format apart from the 1984 edition of ‘The Dud Avocado’ in ‘A’ format. I did order a 1987 edition which mysteriously got ‘lost in the post’ As this was the only copy I could find on the web I beginning to have my suspicions ……!!! I have included one back cover to show how they featured the writer and will do the others when I have time.

UPDATE I have now got a copy of the 1987 edition of ‘The Dud Avocado’ which did cost me a bit more than the ‘lost’ copy as I expected!

Always pleased to find another Hans Helweg and this time it’s for ‘The Old Woman and her Pig’ in the Oxford University Press Structured Readers. Scroll down the page to see this and two more in the same series.

While Grandson William was visiting we were reading ‘Sarah and Simon and No Red Paint’ by Edward Ardizzone and I was taken by this drawing, it reminded me of my ‘library’

I was sorry to hear of the death of Henry ‘Harry’ Patterson (27/071929 to 09/04/2022) probably better know to PAN readers under his pen name of Jack Higgins. I have a couple of pages relating to his work with book covers HERE and Keith Scaife’s artwork HERE

It was lovely having the family up from Kent last week and with all the outings for Grandson William to Country Parks, Historic Buildings and Adventure Playgrounds there hasn’t been not much time for in depth blogging – no change there do I hear you say?

While looking through a copy of ‘The Dark of the Sun’ I was pleased when I found this in it making a change from the usual Prudential cards. It’s actually useful in that the end is perforated to tear off and cut to make a bookmark? It says you can get 5% interest which seems like a world away when you are lucky to get 0.05% these days.

Jules Burt has recently produced a short video looking at the 30 titles in the ‘PAN Book of Horror Stories’ series. This recommendation has nothing to do with the fact my website gets a name check! (Thanks Jules)

I hadn’t realised how many different editions of ‘The Dark of the Sun’ by Wilbur Smith PAN published since 1968 with several with the ‘PAN Man’ logo and at least three with the later ‘wavy lines’ I’ve only included the ones with the ‘Man’  and I am still trying to find the cover artist for the 1980 edition.

While looking through some duplicates deciding which to pass on to a National Trust secondhand bookshop I found a postcard of French Chateaus. This reminded me of a piece of artwork I bought off eBay a couple of years ago by a well  known PAN cover artist, namely John Raynes. I was the only bidder and looking back it cost me £30 which was a real bargain as it came in a nice frame and the size (60cm x 30cm) means it fits perfectly over a door. Just Googling I’ve spotted several of John’s artworks around the mid £1,500 mark with one at nearly £6,000! Click on the postcard to see the artwork of the Chateau at Chinon.

PAN were quite consistent in naming their imprints beginning with ‘P’ with ‘Piccolo’ and ‘Young Piper’ for children’s titles and ‘Pavanne’, ‘Picador’ and ‘Piper’ for adult titles although ‘Picador’ could have been ‘Primrose’ as this was originally suggested. 
I’ve previously mentioned trying to find ‘Pavanne’ titles where the name is under the PAN logo before PAN used just the Pavanne name. I do like the artwork on some of the Pavanne’ titles but dislike others. I’ll add a few of my favourites shortly but here are a couple of ‘Pavanne’ tiles given away with ‘Options’ in 1983/4. When I saw ‘Options’ my first thought was the chocolate drink but probably more likely the magazine which started in 1982.

I emailed one of the artists who painted a cover for a ‘Pavanne’ title who rang me up the same day. They  asked me NOT to include their cover as they really didn’t like it and it was not the sort of thing they did now. I’ve promised not to name names!

Having watched Jules Burt’s latest excellent video of collectors talking about their collections I was obliged to buy a copy of ‘White Spines’ by Nicholas Royale as I was impressed to find another ‘Picador’ collector but on checking I only have a tenth of his 1,000 plus. With this year being the 50th anniversary of ‘Picador’ I’ve got out the sets published for their 30th anniversary set which had ‘XXX’ on the spines above ‘Picador’, the 40th anniversary set which had ’40’ under ‘Picador’ and the 50th anniversary set which had ‘Collection’ under ‘Picador’

Having got football out of the way a few weeks ago I am now going to do the same with another subject I’m not really into, namely fishing. I quite like the idea of using it as an excuse to sit on a bank and read a book but as for actually catching a fish this doesn’t really appeal. I know it is one of the most popular past times world wide so it’s probably just me. I think the first time PAN got into angling was in 1967 with the publication of ‘Fishing’ by Richard Arnold and numbered M203. It was around 1973 that PAN started the ‘PAN Angler’s Library’ of which I have found 14 titles label as such but there may be more.

There was a post on the ‘Shutists’ Facebook page where someone had noticed a mistake in the list of books by Nevil Shute in the 1973 6th printing of ‘An Old Captivity’ It includes ‘Gold From Crete’ which is by C S Forester and not Shute. I have looked in both the 5th and 7th printings and it is not there but I will looking in other titles from around that time.

Having written about Lyn Kirby, who worked at PAN in the 80s, she sent me a few snippets which I’m happy to include here;
1) Lyn’s boss was David Bleasdale, Production Director, and who was used as the model for the cover of ‘The Autobiography of Henry VIII’ which was painted by Gino d’Achille
2) When Lyn left she was presented with a dummy book of Douglas Adam’s latest in the Hitchhiker series ‘So Long, and Thanks for All the Fish’
3) Lyn was tasked with sourcing the lenticular picture on the box and the hardback of ‘So Long, and Thanks for All the Fish’ and as with most things plastic back then it probably came from Hong Kong.

4) Lyn was asked  to do the colour correction on the cover of ‘Wicked Willie‘. She wrote “The pink of his face had to match the pink of his ahem, Willie and that was something I was a bit embarrassed about telling my repro house at my tender age!”
5) It’s a small world as Lyn is a room guide at Nuffield Place and you never know we may have met each other when we were down there recently for a family gathering.

This weeks original artwork is for ‘Mandingo’ by Kyle Onstott that was used for at least five editions from 1961 through to 1974 when PAN changed to a film tie-in. I can’t find it listed in Hans Helweg’s ledger but he was getting paid £50 16s for other titles at this time. While looking at other editions from various publisher I was intrigued to see this 1963 Spanish edition printed by Luis de Caralt in Barcelona. I’d like to think it was done in homage to the one Hans painted  and not a poor quality ‘rip off’

While looking at the cover of ‘The Karamanov Equations I was reminded of another couple of cover but may be not as close as I thought. I’ve also included a copy of the script for a film that never made it to the ‘big screen” I think this book by Marshall Goldberg.is the only title of his that PAN published.

A couple of years ago I mentioned tracking down the location of a plaque for artist Ben Ostrick (who painted for PAN as J. Oval) and it turned out to be in Australia. This was a bit too far to go just to take a photo but I’m pleased to say a big “Thank you” to Olivia Wallace,​ Customer Care Support at Eastern Suburbs Memorial Park who kindly took the trouble to photograph the plaque for me. She apologised for it  as it was high up on the wall but there was no need as it is fine. 

I was sorry to hear of the death of (Winfred) Shirley Hughes at the age of 94 on 25th February 2022. She  was born on 16th July 1927 and grew up on the Wirral at West Kirby, a town I know well.. Shirley was the youngest of three daughters born to bargain store magnate TJ Hughes. She won many awards including the Kate Greenaway twice, in 1977 and 2003 and is probably most fondly remembered for her character ‘Alfie’ I have only found seven PAN/Piccolo titles with a connection to Shirley but I am still looking,  I have put these on a page HERE

While looking for something completely different I got a reference to Companies House and a link to the ‘Certificate of Incorporation’ for PAN Books. I thought that might be interesting but if you click on the link to the document HERE you’ll see why I was disappointed!

It was good to see the pop up bookshop back in Wolverhampton again last week,. I nearly missed it but managed the last day and came away with half a dozen books plus some first day covers with stamps by Brian Sanders for only a couple of pounds.. It is good to have it back after quite a long break and hoping for many more ‘pop ups’ this year. Speaking to the organisers they say the shopping centre are very pleased to have them there as they bring in customers that might not normally visit, me incliuded! Another plus side is we now have the direct bus to Wolverhampton reinstated even though the timetable is a bit erratic.

Not PAN but I couldn’t let the news of a near neighbour (does 7 houses between us count as near neighbiour?)  Daniel Wiles pass without congratulating him on his new book. He has been included in the 10 best debut novelists of 2022 for his book ‘Mercia’s Take’ I have a oopy and hopefully can bump into Daniel to get him to sign it after I have read it. Just wondering if my wife taught him at primary school?

I’ve never been a football fan having only been to a ‘proper’ match once and that was enough. It happened because West Bromwich Albion owned the house next door for their managers to use and one year we got tickets from Jimmy Hagan for the directors box for a match on boxing day. It was at bit embarrassing having to ask after fifteen minutes which team were Albion and which were Spurs. PAN appears to have taken over publications from the Football Association themselves sometime around the early 70s and I have added a few of these plus other football related titles HERE I got several of these in a ‘bumper bundle’ and for once I am not going to be a completist for all of them!

Always on the lookout for cover variations I found a few more covers for Grace Metalious. The two from 1974 are not really eye catchers plus the 1971 cover for ‘Peyton Place‘ is just a variation. The one I really want to get is the 1972 edition of ‘Peyton Place’ which matches ‘Return to Peyton Place’ for which I have the artwork but no idea of the artist. The only copies I have seen are on sites in the Far East and the one I’ve ‘sponged’ is from Kuala Lumper and the seller doesn’t ship to the UK!

One of those weird coicidences happened this week when I was really pleased to be contatced by Lyn Kirby, who worked at PAN as Cover Controller from 1979, and who mentioned football as had I. Lyn emailed me her menories of working in the ‘warm, dusty and dark basement’ which you can read about here.

“I started at Pan Books in Cavaye Place in 1979 as a Production Assistant. I had no plan to work in Publishing, but I went for an interview via a recruitment agency and I think I got the job because I actually read books! Not like now when you need degrees, internships and extra publishing qualifications.
I was 18 years old and desperate to work in London for some reason. I started off helping all the different people in the Production department with typing, filing etc and moved on to being Cover Controller within a few months. My bosses were Dennis Crutcher as Production Manager and David Bleasdale who was Production Director.
I worked quite closely with Stan Boswarva who was the sweetest guy imaginable – he gave me a ticket for the QPR v Spurs FA Cup Final because he knew I was a QPR supporter and he got tickets from the Referees Association as I think Pan did their book. And I remember Ken Hatherley well – I loved going over to the Studios on the other side of the road to Cavaye Place. I think it was called Stanley Studios which was a bit of co-incidence
So my main job as Cover Controller was to get all of the new covers repro’d from original artworks or transparencies, proofed and approved. Then decide who out of our 3 main cover printers was going to print them, arrange for them to be uv varnished or in special cases, laminated. I had to ensure they were all delivered to the book printer in time for them to be bound.
Reprints was a case of getting the job bag out from the basement and checking what the last cover was and then reprinting. The first cover I ever did was the graphic representation of ‘Penmarric‘ by Susan Howarth. I was so proud to see it in a bookshop.
The basement was warm and dusty and very dark if someone turned the lights out for a joke. The racks were full of old cover artworks which I used to flick through now and again to admire the bright colours and the then, old fashioned styles.
Some were still in job bags but most were just placed in the racks in random order. If I had known they were going to be thrown out or destroyed, I might have done something about it but I would have been too young and honest to have taken them home!
Sadly I never had anything to do with the artists during my time there and we were moving on to photographic covers by then anyway. I had left for another job in book production by the time the covers were going to be thrown out.
I did meet some very famous authors though when I was lunch relief on Reception imcufing Jackie Collins, Douglas Adams and Barbara Cartland.
I don’t work in Publishing anymore but made it to Production Manager of various publishing companies handling multi million pound printing budgets and being responsible for all book production so not bad for a girl who got the job because she could touch type and had read interesting books!

I now run vintage fairs and other events as a part time job – well not even a job really but it keeps me in books and vintage costume jewellery (my other love)”

I’d like to thank Lyn for getting in touch, for her memories of her time at PAN and for kindly attached two photos, one from 1984, just after she left PAN, the other from 1994.

As I think I’ve said before I do like the original artwork for book covers and when something turns up at a reasonable price, even if not PAN, I’ll consider it. Now I hope the seller isn’t reading this because £15 for the original artwork, a printers proof and a copy of the book was a bargain. There were three titles on offer and for some reason or other this only got one bid, miine. The artist is Janina Ede (1937 to 2018) who was born in Southampton and worked for several publishers including Penguin.

So far I have found eleven titles from Pearl Buck with her name written as above and all dated around 1975. Other titles are listed inside but are they companion editions with the same artwork style in this series? I shall keep looking and updating if I discover others but again if you know others please email or comment.

I spotted some artwork for a cover which looked familiar and looking through Hans Helweg’s sketches and preliminary paintings I spotted one very similar. I was not 100% sure for which title the cover was intended but I thought it was an Erskine Caldwell. Luckily the artwork was labelled and it was a Caldwell, namely ‘Trouble in July’ The problem is I’ve not found a published edition with this cover although Hans was paid to re-do it in 1964, does any one have a copy with this artwork?

This weeks artwork by Hans Helweg is for Nicholas Monsarrat’s ‘The Ship That Died of Shame’  As has been told before the ship in the title was actually PAN’s boat the ‘Laloun. This was sold in 1949 to a consortium and was used to carry duty frees from North Africa to the South of France/Northern Italy (in other words ‘smuggling’ ) and was eventually caught. Picture above ‘Laloun’ and below one of the boats used in the film. “S-10, was converted to a private motor yacht, ‘mv Taifun’, at Falmouth Boat Construction, and In the film, she was MGB 1087 ‘after the war’. Three different boats were in fact used n the filming, S-10, MTB 528 and MTB ‘Gay Dragoon’. Sometime after the film was made ‘mv Taifun’ was sold and skippered by Hugh Edwards, the brother of the comedian Jimmy Edwards, motored to Tangiers and was ‘lost’ in ‘suspicious circumstances’ in the Mediterranean” (thanks to ‘British Military Powrboat Team’ website for this information) The story of what happened to the Taifun is told in the book ‘Midnight Trader’

Still going through Hans Helweg’s sketches and I found three that go with ‘Lonely Road’ by Nevil Shute 1968 edition. Looking at the later 1962 edition and the 1971 , these both feature the element of the burning truck as seen in the first edition with a cover by David Tayler. I think the later 1962 edition might be by Pat Owen as he did several which appeared in this ‘bands’ style. I could make a few guesses as to the 1971 but would love to know for certain.

Three James Bond related snippets this week. The first is one you probably already know about but I hadn’t noticed in until it was mentioned on a Facebook page that Rex Archer’s cover for ‘Diamonds are Forever’ bears an uncanny resemblance to James Meese’s ‘Widow’s Pique’ from Perma. The second is a photograph of ‘Moonraker’ covers coming off the presses while the third is a screen capture of ‘Jason King’ looking at a copy of ‘Goldfinger’ PAN published two ‘Jason King’ books written by John Burke under the name Robert Miall.

Axel Scheffler, Golden PAN Award winner, was top of the 2021 list ol artists who illustrated children’s literature.  He was the most successful illustrator both in terms of value and volume, with his biggest-selling title being ‘Cat’s Cookbook’ in which he collaborated with Julia Donaldson about a cat who is looking for a recipe book in a library, and part of the duo’s Acorn Wood series. In the list are at least three Golden PAN Award winners, namely Axel, Lydia Monks and Rod Campbell. I have photos of the first two with their award but I’d love to find one of Rod. I was in contact with his agent but nothing came of it. You can see them at work and their book titles mentioned HERE

I was going to try and be clever and put ‘hotspots’ on this scan of a page Pearl Buck covers from 1966 but that will be one for another day as they seem to be a bit hit and miss so far. Instead I’ll just put links to the titles.

‘The Living Reed’
‘With A Delicate Air’
‘The Mother’
‘Fighting Angel’
‘The Boindmaid’
‘Dragon Seed’

Having included some artwork by Hans Helweg in the previous list of Pearl Buck titles I found a few more of Hans  Helweg’s I had forgotten about. This weeks is for Nucholas Monsarrat’s ‘The Story of Esther Costello’ for which Hans got paid £50 16s The film tells the story of teenager Esther who has been deaf and blind since the accident which killed her mother. Wealthy Margaret Landi, a native of Esther’s village in Ireland, is talked into helping to educate and possibly heal Esther. Margaret grows to love Esther as a daughter, but finds Esther’s innocence threatened by sleazy promoters and her own sleazy ex-husband. Any similarity to Helen Keller is purely coincidental apparently!