As I mentioned last week I had a visit planned for the Monday and I’m pleased to say it came to fruition. We travelled down to Hay-on-Wye on the Sunday in the camper and parked up at a lovely site just five minutes walk from the centre of Hay. Although it was Sunday the majority of the bookshops were open (unlike places to eat!) I was prepared to be disappointed and so I was not disappointed when I was if that makes sense? Several shops I remembered had gone, a lot are selling remaindered stock and a few actually have vintage paperbacks. I was really pleased, in the Cinema Bookshop, to pick up five Mazo de la Roche titles that look as though they have never been read. They were £3 each which was about three times what I like to pay but as they were so good even my wife told me to go ahead and buy them.

Monday’s visit was to meet up with Sue, widow of artist Hans Helweg, at her fantastically located mill cottage. She was really welcoming and still has a lot of pieces relating to Hans kept in his studio the roof of which can just be seen behind the section with the wooden conservatory. There is a bridge over the brook and the foreground is in Wales and the cottage in England.

Sue was interested to see the two Mazo de la Roche covers that Hans had painted as she’d not see them before (‘Whiteoaks’ and ‘Finch’s Fortune’) We found ‘Whiteoaks’ in the ledger Hans kept and it looks like he got paid £42 for it.

She also had hundreds of printers proofs of covers which show that Hans painted over 250 for PAN many of which I didn’t know were his. She has also lent me notes on Hans life and I’ll put together a section for him including some of that material.

Finally, and not Hans related, but strangely linked I received a comment from Kathy, Sam Peffer’s neice who had just noticed back in 2014 I mentioned after a computer crash I had lost her contact details. We have now remade contact and I’ll be arranging a visit to see her very soon.

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This week there are three links to authors whose books were printed in Australia although not all Australians. I’ve added only the Australian printings to their pages and which feature the PAN Man logo (except one from Richard Hall added just for completeness)

Paul Mann grew up in Northumberland in the 1950’s and became a journalist travelling the world. He now resides in the USA. 

Robert Barrett was an Australian and published several titles featuring his detective ‘Les Norton’

Richard Hall was also a winter and journalist travelling extensively.

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The above is just because I found it on the shelf and is an Australian printing!

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Short and sweet this week as travelling around in the camper but hopefully interesting news next week if a planned visit comes about.

When we were down in the PAN archives I snapped away at different bits and pieces and here is one of them. A poster to announce an event for the launch of the three new look logos.

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I’ve been trying to get a 1989 copy of ‘The Borribles’ (as above) for quite a while so when I saw one listed as 1989 (unfortunately no photo and a seller who always says they have too much stock to check a cover!) I went ahead and ordered it. When it arrived I was really annoyed to find it was the 1983 edition but then I opened it.

Not quite as annoyed now and not bad for a penny plus postage. The seller must have missed it as they never mentioned it. Maybe that is an advantage of buying from a bulk seller, ‘stack ’em high and sell ’em cheap’
Apparently the Bridge Lane Theatre was in Battersea and was demolished in 1994 to be replaced by houses.

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When Alysoun, from the PAN Archives, called in to see Gordon Young to record his memories of his time on the Laloun he gave her the actually flag that flew from the mast over 70 years ago. It is now in the Archives and I took a photo of it.

Back in January I mentioned how I was contacted by James Seabright, who organises Adam Kay’s tours, to tell me Adam had been awarded a Golden PAN and did I want a couple of tickets for a show?  We plumped for Dudley and went last Friday. I was impressed when I went to the box office to pick up the tickets that they were there all by themselves taking pride of place on the shelf. We had a very enjoyable evening, I think Jackie had the advantage in not having read the book, so didn’t know some of the anecdotes. I took my copy of Adam’s book for him to sign and I congratulated him on his award and to my amazement ‘he said he had looked at my site. Unfortunately there was a long queue so we didn’t have time to talk further. I did get a couple of photos which I’ve added to the page so if you scroll down you’ll find the updates HERE

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A while ago, on a Facebook group for vintage paperback collectors, someone mentioned G321 ‘Tales of Mystery and Imagination‘ by Edgar Alan Poe and that there were several variations. I had two but this made me look again and I have since found four. Does anyone know if there were any more?

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Not quite PAN but I’m always amused by the variety of covers from different publishers for the same title especially for ‘The Stone of Chastity‘ by Margery Sharp. I was particularly taken with the Avon edition which is certainly a little more eye catching that the PAN edition. I’ve put four variations on a page HERE just for interest.

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Finally nothing to do with PAN but we have just got £14,000 to repair a bridge and build steps and a cycle channel up to the disused railway track we are making into a Greenway plus we have Gwyneth McMinn, Head of Network Development at SUSTRANS, coming on Thursday to see what we’ve been up to. Maybe we can convince her that this does need to be made in an official cycle track.

A trio of books I’ve been meaning to read for quite a while are ‘The Borribles’ by Michael De Larrabeiti‎. As I’ve mentioned before I was lucky enough to be able to buy the original artwork for the front and back artwork of two of the three titles from Terry Oakes, the artist. 

I hadn’t realised that the first two tiltes were intially published as hardback by Collins but after the riots in London in 1985 they declined the third title and so it was left to PAN to publish it as a Piccolo. They published ‘The Borribles’ as a Piper in 1989 and I’m still trying to get a copy of my own, anyone got a spare?

I recently came across the three titles in German with artwork that looked familiar. It was a selection of parts from the cover of  ‘The Borribles: Across the Dark Metropolis’ I’ve put the all the covers scans on the page but here is number 1 plus the same title in a French edition as I like the translated title but I’m wondering why it’s  ‘Zorribles’ and not ‘Borribles’ as it doesn’t seem to mean anything else in French?

I’ve contacted Terry Oakes to ask if he knew they had done this to his artwork but as he doesn’t do email I’ve resorted to sending paper.

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One event I missed was the 126th anniversary of the birth of  Dorothy Leigh Sayers on the 13th June. I didn’t think PAN published any of her work until I had a better look and found two of her short stories in ‘A Book of Strange Stories’ and ‘Stories Not for the Nervous Part 1’  ‘Strange Stories’ has ‘The Cyprina Cat’ and the Hitchcock has ”The Man with Copper Fingers’

For quite a while I’ve been trying to track down a true 1st of ‘The Hitch-Hikers Guide to the Galaxy’ which is identified by a name on page 53 where it talks about Vogan poetry. Paul Neil Milne Johnstone was a real poet who had attended Brentwood School with Douglas Adams and the two jointly received a prize for English. Later both went on to study at the University of Cambridge. Johnstone’s name was used by Adams as the author of the worst poetry in the universe in a true 1st /1st printing of the book but this was changed to Paula Nancy Millstone Jennings for all subsequent versions of Hitchhiker’s after Johnstone objected. He didn’t object to the description of his poetry but to the inclusion of his address. To see the relevant sections click HERE After asking many sellers the question “What name is on page 53?” at last the right answer came back from Ireland and now a copy has joined my collection.

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…. and finally a great find on eBay and luckily the seller offered ‘Buy It Now’ It is made of card, measures about 12″ by 8″ and the frame is on order! It was £6:00 and included postage which was nearly £3:00 plus the cost of the excellent packing made it a real bargain.

As PAN changed the logo from round to rectangular in 1957 this must be about 62 years old.

Looking at websites, mainly for big companies and supermarkets, I noticed that the address bar changed from white to their corporate colour. Out of curiosity I searched to see how hard this was and I was surprised to find it was just one very short line of script BUT it is only visible on Android devices using Chrome so for those that are missing it in its full glory here it is!

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This week is the birthday of a writer who is still with us for a change. Peter Duff Hart-Davis was born this day in 1936 in Finsbury, London and now lives in Owlpen, Gloucestershire. He is the eldest son of the publisher Rupert Hart-Davis and the brother of television broadcaster and author Adam Hart-Davis and Bridget, the dowager Lady Silsoe. His biography of his godfather, the adventurer and writer Peter Fleming (brother of Ian) “Peter Fleming: A Biography” was published in 1974.

PAN published three of his titles which I’ve added to a page along with the same titles in German. This allows me to show examples from one of my two favourite European publisher, Ullstein Bucher, the other being Fleuve Noir from France. They were not adverse to recycling PAN artwork on books with different titles to the original.

Click HERE to see the three covers in English and the three in German plus the hardback edition with artwork used by PAN for the paperback.

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While I was in the PAN Archives, Alysoun kindly gave me some duplicate copies of “The PAN Galactic Gargle Blaster” which contained the following snippet for PAN Horror Book fans telling of what was to come but unfortunately didn’t!

I put this on a Facebook page and got several replies as follows;
Paul Fraser Looks like this collection of stories appeared as Dark Voices 2, Ed. By Stephen Jones-Editor and David Sutton.
Stephen Jones-Editor Yeah. After the huge success of the hardcover tribute DARK VOICES: THE BEST OF THE PAN BOOK OF HORROR, we were ready to continue the series with a much more contemporary line-up of authors. However, the idiots at Pan (but not my editor,  I hasten to add) decided to change the title and start again — despite all the hard work I had done to re-establish the series after years of plunging sales. We fought — and won — for the subtitle THE PAN BOOK OF HORROR, but it was another example of a publisher shooting themselves in the foot. Glad you kept the GALACTIC GARGLE BLASTER, that was also one of mine!
I asked if there was artwork for number 31?
Stephen Jones-Editor Tim, the cover art was always the same as the one that appeared on DARK VOICES #1. They just added a new logo. There was never a PBH version to my knowledge.
Paul Fraser Stephen Jones-Editor Thanks for the background details. Have you written about the series at greater length elsewhere (I assume there is probably an essay about the series in the first volume)?
Stephen Jones-Editor Paul, we’ve never done an essay about DT. The series eventually moved over to Gollancz, where it became DARK TERRORS: THE GOLLANCZ BOOK OF HORROR. That became another publishing cock-up, which David Sutton and I have talked about in the 2015 “best of” compilation DARKER TERRORS.

Just checking dates of births and deaths and this weeks is a bit contrived. Sir Hugh Walpole, a very good friend of Alan and Josephine Bott, died on the 1st June 1941 and is quoted on the back of ‘Death to The French’ by C S Forester (Cecil Scott Forester the pen name of Cecil Louis Troughton Smith) I have found three Forester covers in the same style from around 1975/6 but only one is credited to David Tayler. Click HERE to see them and also the quote.

While we were down in Basingstoke, Alysoun Sanders the archivist, showed us a very interesting book, a proof copy of ‘Scenes of London Life’ which she found in the PAN library and quickly moved to the archives. I don’t suppose there are many of those around, probably as scare as X705 which I may have mentioned before and which is top of my wants list, now just above a proof copy of ‘Scenes’

A while ago I met up with Paul Davies in Cheltenham and last week came across another of his covers, this time for a title in the PAN Information series namely  ‘Taking Off’ I think I mentioned previously that the Leslie Thomas covers he drew were not amongst his favourites so I asked him about this one to which he replied “Yes! One of mine. Not as bad as some!!! I’m very happy with retirement and my drawing has improved a tad” and then in a later email he added “Just a quick note to say how much I am enjoying reading the site and the blog” which is a bit worrying as that is now at least three people who say they read it including Alysoun as above!

As I mentioned last week I had two visits lined up and to quote Hannibal Smith “I love it when a plan comes together” There were no hold ups to speak of on the motorways, the weather was great and the company most acceptable

The first ‘port of call’ to use an appropriate idiom was Milford-on-Sea to visit Gordon and Chrissie Young who we last met 20 months ago at PAN’s 70th Birthday bash in London. Gordon was first mate on the Laloun back in 1947 bringing books over from France where they were printed due to a UK paper shortage. If you haven’t already done so click HERE to read the first part of his story.
Below is our camper parked up for the night on Gordon’s drive.

The intention of this visit was to catch up on his time at PAN as Export Manager and although we touched on it a few times we were too busy touring around the coastal villages, enjoying a very nice meal in a quite Lymington location and tucking in to Gordon’s five star breakfast.

Gordon showed me an album of post cards that were drawn by Charles Clixby Watson and sent to him every time he got a new assignment overseas. Here is the one he was received when he went to Africa. 

After saying “Goodbye” to Gordon and Chrissie and promising to meet up again soon we headed north to Basingstoke where we met up with Alysoun at the PAN Macmillan Archives.

Alysoun had kindly retrieved my one missing title so I could convince myself yet again it does exist in spite of all my searching. She also got out the print record, incorrectly listed as Piccolo which didn’t come into being  until 1971, to show there were 40,000 copies of the first print run numbered X705 while only 15,000 of a second printing with a SBN so how come that’s the one I managed to find?

Alysoun had also got out artwork, a lot more printing records especially for all the Bond titles, order sheets and several photographs from 1964 showing the PAN Macmillan warehouse in Basingstoke. You can see the vans with the name on the side and if you look carefully in the packing department there is a copy of ‘The Case of the Sunbather’s Diary’ lying on the table bottom middle.

I would like to say a very big “Thank You” to Gordon, Chrisse and Alysoun for taking the time and trouble to humour an old man when I’m sure they had much better things to do (and my wife for indulging me)

PS More bits and pieces from the visits will appear in later blogs.

I have mentioned Stuart Bodek in previous blogs but apart from his covers there was only a brief biography. I would now like to say a big ‘Thank you’ to Stuart’s son who emailed to say:
“Stuart was indeed a graphic designer who worked through Artist Partners, run by Brian Sanders (Lizzy Moyes’ other half, we think), in London until his death in 1996. Until the late 80s, he painted from Artist Partners’ studios in Soho’s Ham Yard – now redeveloped as a hotel and apartments – before relocating to a studio in suburban London, in what had once been my bedroom. He grew up by the beach (literally on the beach front) in Durban in South Africa, before moving to the UK in the late 70s. He was a talented drummer, playing in a band at a few venues around Durban in his youth. Painting mostly book covers, he regularly used “models” from within the family as the characters for cover illustrations – my Uncles, Aunts, neighbours, office colleagues and grandparents appear in quite a few of them!  His work was mainly a mix of landscapes, romance and action images, plus quite a lot of horror (some Stephen Kings) and murder mystery.  He also did some magazine illustrations (I remember a few in “OK” magazine accompanying short stories), a few celebratory stamps, some ads, a Showaddywaddy album cover, a fair few BT phonecards and other things like the Queen Mother’s birthday china. I think this below was one of them as it certainly looks familiar plus some BBC video box covers.

As a kid, we would always stop in airport bookshops when passing through and look for my Dad’s covers… he often had one or two amongst the bestsellers list! We still have several pieces of his original artwork around, as you can imagine. Unfortunately he died suddenly one evening, suffering a heart attack during a game of tennis in January 1996 – he played a couple of times a week and was always pretty fit, so it came completely out of the blue.

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It was a strange coincidence that as I got the email a copy of ‘Road to Falconhurst’ arrived in the post and when I turned it over the artist was credited as Stuart Bodek.

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Also in the post this week was a copy of ‘The Paperback Fanatic Issue 41’ from Justin Marriot which featured an article on the ‘Plantation’ genre and mentions the Onstott/Horner/Carter titles from PAN but is mainly focusing on the NEL titles. There will be a page showing the Carter covers in June as a birth/death tie-in.

It also had a couple of pages showing 6 PAN titles by E V Cunningham (Howard Melvin Fast) but there were actually 9 titles published by PAN. Cunningham appears to have used another 3 single female names as titles ‘Cynthia’, Millie’ and ‘Samantha’ but not published by PAN as far as I can ascertain. To see the 9 titles click HERE

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… and finally this week, after 20 months since we first mooted it, we are off to distant parts to meet up with a couple of PAN related people and if all goes according to plan I’ll report back next week.